By Werner Speiser
A complete paintings at the artwork of China with the emphasis on antiquities. Many colour illustrations of sculpture, ceramics and work. encompasses a bibliography, word list and index.
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Additional info for The Art of China - Spirit and Society
Chinese also use the term to cover a type of pottery differently decorated from that found in the east. Both around Yang-shao and at Pan-po there These differ so substantially from the pottery painted in many colours that is found in Kansu, that one must make a distinction between the Yang-shao culture near the bend of the Yangtse and that in the northwestern province of Kansu. Both art-lovers and historians were immediately attracted to the pottery found in Kansu on the upper reaches of the Huangho, and especially in the area where its tributary, the T'ao-ho, joins it.
Adopting the more up-to-date Chinese chronology) the Wei valley with their infantry and their Anyang, overthrew the last emperor of the Shang dynasty, who committed suicide, and founded the Chou dynasty. C. generally from P'ang, near the later Ch'ang-an, in the Wei valley. The first six Chou kings were great soldiers who substantially extended the former domain of the Shang, and the Chou broke out from war-chariots, attacked it more firmly. This was done by entrusting great feudal districts members of their family and their chief supporters.
Water, and danger has this sense of The Huangho is indelible left its even today a source of anxiety for China, but because has too much, not too little, water. The legend of the Emperor Yii, it who Huangho, may contain an elewhich he performed has had to be repeated again and again. In China there was no threat from deserts; boundless land encompassed her, and the very numerous little agricultural comdealt with an obstruction or flood of the ment of truth since the task munities of Chinese in antiquity why knew nothing had been so much of both for so long that it That is and of man.
The Art of China - Spirit and Society by Werner Speiser