Robert W. Halli Jr.'s An Alabama Songbook: Ballads, Folksongs, and Spirituals PDF

By Robert W. Halli Jr.

ISBN-10: 0817313060

ISBN-13: 9780817313067

A lavish presentation of 208 folksongs amassed all through Alabama within the 1940s.

Alabama is a country wealthy in folksong culture, from previous English ballads sung alongside the Tennessee River to kid's video game songs performed in cellular, from the rhythmic paintings songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical background of blacks and whites, wealthy and terrible, hill folks and cotton farmers, those songs undergo as a residing a part of the state's assorted past.

In the mid Nineteen Forties Byron Arnold, an keen younger track professor from The collage of Alabama, got down to locate and checklist as a lot of those songs as he might and used to be rewarded by way of unstinting cooperation from many informants. Mrs. Julia Greer Marechal of cellular, for instance, was once ninety years outdated, blind, and a semi-invalid, yet she sang for Arnold for 3 hours, permitting the recording of 33 songs and onerous Arnold and his technician. Helped through such residing repositories as Mrs. Marechal, the Arnold assortment grew to good over 500 songs, augmented by means of box notes and memorable biographical details at the singers.

An Alabama Songbook is the results of Arnold's efforts and people of his informants around the kingdom and has been formed by means of Robert W. Halli Jr. right into a narrative enriched via greater than 2 hundred major songs-lullabies, Civil battle anthems, African-American gospel and secular songs, mess around tunes, temperance songs, love ballads, play-party rhymes, and paintings songs. within the culture of Alan Lomax's The people Songs of North America and Vance Randolph's Ozark Folksongs, this quantity will entice common audiences, folklorists, ethnomusicologists, preservationists, conventional musicians, and historians.

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Additional info for An Alabama Songbook: Ballads, Folksongs, and Spirituals Collected by Byron Arnold

Sample text

Mrs. Hill’s is one of the longest and ¤nest versions of this ballad ever recovered in the United States. The confused last line of Mrs. Hill’s ¤fth stanza is probably the result of mishearing a line about the locks and bolts such as: “I broke ’em all asinder” (or “asunder”). Almost all American versions are confused at the point of Hill’s seventh stanza. Tradition supports a stanza composed of the last two lines of Hill’s sixth stanza and the fragmentary seventh. Sometimes a stanza is composed of the statement and repetition of the ¤rst two lines of the sixth stanza; or those lines are sometimes dropped—the ¤rst appears in Mrs.

Sung by Mrs. Myrtle Love Hester, Florence, 8 June 1947. “Oh hang man, dear hang man, hang up your rope, And wait while; see my er I think I moth a a Oh Moth er, dear Moth er, did you bring me my gold? Did you come free? Or did you come to see me hanged On a weep ing wil lit com tle ing. ” me 4 / Ballads “Oh Daugh ter, dear Daugh ter, I did not bring your gold, I did not come to set you free, But I came to see you hanged On a weep ing wil 4 “Oh hangman, dear hangman, hang up your rope, And wait a little while, I think I see my father a-coming.

The ¤fth and sixth stanzas are shared with “The Lonesome Dove” (see p. 125). Perhaps because of this conglomeration, it is dif¤cult to determine who is speaking at several points in Miss Craven’s version. The male narrator clearly speaks in the ¤rst, second, third, and seventh stanzas; the woman speaks in the fourth stanza. But the ¤fth and sixth stanzas must be divided arbitrarily between the speakers, and the eighth stanza seems appropriate to either. Sung by Miss Callie Craven, Gadsden, 27 July 1945.

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An Alabama Songbook: Ballads, Folksongs, and Spirituals Collected by Byron Arnold by Robert W. Halli Jr.


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