By Robert Gibbs Louise Bourdua
Julian Gardners preeminent position in British reviews of the paintings of the thirteenth and 14th centuries, relatively the interplay of papal and theological concerns with its construction and on both sides of the Alps, is well known in those stories by way of his scholars. They talk about Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, in addition to monochrome dado portray as much as Giotto, Duccios representations of proskynesis, a Parisian reliquary in Assisi, Riminese portray for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of affection at Sabbionara, the cult of city V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardners profession itself.The members to the amount are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling.
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Extra info for A Wider Trecento: Studies in 13th- and 14th-century European Art Presented to Julian Gardner
7 July 2005–8 January 2006, in: The Burlington Magazine 167. L. Bourdua, The Franciscans and Art Patronage in Late Medieval Italy, Cambridge, 2004, in: Journal of Ecclesiastical History, 56, 149–50. Steinhoff, Sienese Painting after the Black Death: Artistic Pluralism, Politics, and the New Art Market, Cambridge, 2007, in: Speculum, 83:3, 763–4. 2009 B. 1240–1400, in The Burlington Magazine, 151, 553–4. ). 2. Die Kirchen der Stadt Rom im Mittelalter 1050–1300; 2,2. S. Giovanni in Laterano, 2008.
Julian gardner’s published works xxvii vicina": A Note on Cardinal Guillaume de Bray and His Tomb in Orvieto by Arnolfo di Cambio’, in Opere e giorni: studi su mille anni di arte europea: dedicati a Max Seidel, ed. K. Bergdolt, Venice, 85–90. ‘The Family Chapel: Artistic Patronage and Architectural Transformation in Italy circa 1275–1325’, in Art, Cérémonial et Liturgie au Moyen Age: Actes du Colloque de 3e Cycle Romand de Lettres, Lausanne-Fribourg, 24–25 mars, 14– 15 avril, 12–13 mai 2000, ed.
Jahrhunderts, insbesondere d. bildhauerischen, Braunschweig, 1972, in: The Burlington Magazine 117, 175. 1976 A. Carotti, Gli affreschi della grotta delle fornelle a Calvi Vecchia, Rome, 1974, in: The Burlington Magazine 118, 522. G. Matthiae, Pietro Cavallini, Rome, 1972, in: Rivista di Storia della Chiesa in Italia, 30, 185–7. 1977 K. Cohen, The Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and Renaissance, Berkeley, 1973, in: The Burlington Magazine 119, 202–5. Greenhill, Incised Effigial Slabs, vol.
A Wider Trecento: Studies in 13th- and 14th-century European Art Presented to Julian Gardner by Robert Gibbs Louise Bourdua